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Harry Potter and the Cursed Child
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The Eighth Story. Nineteen Years Later.
Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London’s West End on July 30, 2016.
It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.
While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.
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- Sales Rank: #285979 in Books
- Original language: English
- Dimensions: 6.46" h x 1.65" w x 9.45" l, .88 pounds
- Binding: Paperback
From School Library Journal
Playwright Thorne and director Tiffany (who previously collaborated on Hope and Let the Right One In) worked with J.K. Rowling to extend the "Harry Potter" universe with an eighth "installment" in the form of the script from the new West End production. The book starts where the last chapter of Deathly Hallows left off—19 years after the main events of the series—with Harry, Ginny, Ron, and Hermione all saying goodbye to their children as they leave for Hogwarts. As Albus, Harry and Ginny's youngest son, attends Hogwarts, he is plagued by the Potter legacy—something he never wanted—and, as he's sorted into Slytherin, is terrible at Quidditch, and constantly compared to his famous father, he becomes reclusive and angsty. His sole friend is Scorpius Malfoy, the only son of Draco Malfoy—prompting further separation from his father. When Albus hatches a plot to go back in time to save the life of Cedric Diggory—what Albus views as the biggest mistake his father made—time becomes distorted and Harry is left to examine his own life, his relationship with his son, and how love can sometimes be much more complicated than it seems. This is an interesting extension of the "Harry Potter" universe, but readers should go into it knowing that it's its own beast. Rowling didn't write it (much to the fury and vitriol of many fans), and it is in script form, so it loses some of the magic that won over millions of readers back when it all began. However, many of the themes that made the original series great are still in abundance—love and friendship conquering all, facing your flaws and accepting them—so that it simultaneously still feels like a "Harry Potter" tale while remaining its own story. VERDICT It is unlikely that the script will create new Potter followers, owing to its format (reading a script vs. reading a novel is a whole other ballgame), but it's a well-crafted and enjoyable read.—Tyler Hixson, School Library Journal
Review
Praise for the playscript of Harry Potter and the Cursed Child Parts One and Two
"A compelling, stay-up-all-night read... The suspense here is electric and nonstop." -- The New York Times
"Fans can breathe easy knowing this play has been respectfully and lovingly wrought. Tensions thrum, spells fly but at center stage, as always in the Potterverse, is the overriding importance of love and friendship, especially in the face of danger.” -- Booklist, starred review
"Whether encountered on stage or on the page, this trip back into the magical world of Hogwarts is thrilling." -- Telegraph
About the Author
J.K. Rowling�is the author of the seven Harry Potter novels, which have sold over 450 million copies and have been translated into 79 languages, and three companion books originally published for charity. She is also the author of The Casual Vacancy, a novel for adults published in 2012, and, under the pseudonym of Robert Galbraith, is the author of the Cormoran Strike�crime series.�J.K. Rowling is making her screenwriting debut and is a producer on the film Fantastic Beasts�and�Where to Find Them, a further extension of the�Wizarding World, due for release in November 2016.
Jack Thorne writes for theatre, film, television and radio. His theatre credits include Hope and Let The Right One In, both directed by John Tiffany, The Solid Life of Sugarwater for the Graeae Theatre Company, Bunny for the Edinburgh Fringe Festival, Stacy for the Trafalgar Studios, 2nd May 1997 and When You Cure Me for the Bush. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide. On film his credits include War Book, A Long Way Down and The Scouting Book for Boys. For television his credits include The Last Panthers, Don’t Take My Baby, This Is England, The Fades, Glue and Cast-Offs and the upcoming National Treasure. In 2012 he won BAFTAs for best series (The Fades) and best serial (This Is England 88).
John Tiffany directed Once for which he was the recipient of multiple awards both in the West End and on Broadway. As Associate Director of the Royal Court, his work includes The Twits, Hope and The Pass. He was the director of Let The Right One In for the National Theatre of Scotland, which transferred to the Royal Court, West End and St. Ann’s Warehouse. His other work for the National Theatre of Scotland includes Macbeth (also Broadway), Enquirer, The Missing, Peter Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, The Bacchae, Black Watch, for which he won the Olivier and Critics’ Circle Best Director Awards, Elizabeth Gordon Quinn and Home: Glasgow. Other recent credits include The Glass Menagerie at A.R.T. and on Broadway and The Ambassador at BAM. Tiffany was Associate Director of the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow at Harvard University in the 2010-2011 academic year.
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Most helpful customer reviews
5138 of 5528 people found the following review helpful.
Sigh.
By Brittany
Let me start by saying this, I love harry potter. I read the books 2-3 times per year since I was a child. I've grown up with these books. These books are a part of me, I've named my children after characters in these books. I have 3 tattoos, all of which are harry potter. I'm a dedicated fan, entirely obsessed to be candid. I have waited for this book like the rest of you.
I can handle the fact that it's written as a play, I was expecting this. I was fully prepared to accept this. I waited all night for this to be released to my kindle (it's 3 a.m and I've just finished). I sped through the cursed child and my final thought was, this was disappointing .
I'm skeptical of how much jk rowling actually contributed to this. I get more of a harry potter vibe from the fantastic beasts trailer than this entire book. The plot was bad, almost everything was bad. It was like a poorly written fanfic.
It sucks that I'm saying this because harry potter is a part of soul. I went into this thinking it was everything I'd ever hoped for.
I'm not saying don't buy the book, by all means buy it. Read it. See for yourself. I'm not being cynical, rowling is the queen of my world. This is the first and likely only bad review I will give regarding her.
Just be warned, this does not feel like harry potter. This was not intricate, well excuted, thought out, or clever. The characters were not true to themselves. I think the best way to go into reading this and saving yourself from despair is to read it as a fanfic and not the true works of rowling. It would be tolerable had her name not been involved, I expected so much more.
And now I will try to purge this book from my memory and continue to live in her past works of art. I still have big hopes for fantastic beasts and that's enough for now.
2141 of 2336 people found the following review helpful.
"Do not pity the dead, Harry. Pity the living, and, above all pity those who read Harry Potter and the Cursed Child.”
By Charlotte
Spoilers!!
Huge Harry Potter fan-- 16 years of reading!! So I was incredibly excited for the new one. I keep wondering if there's a therapy group where all the disgruntled fans can congragate and weep together. I'm also refusing to consider in cannon as it was not JKR herself who penned. What they did to the INTEGRITY of these characters. I'm sick over it. The entire 7 book series was about friendship, love and loyalty, and Harry knew that; and most importantly, knew that's what made him different from V. You're telling me, he, Ron and Herm didn't continue to live and instil those values in their children? Rose was a bully, who was prejudice against someone without knowing them first. Harry would never said he wished his kid wasn't his, or sacrificed his kid's only friendship over gosip. Harry wouldn't have choosen work over time with his family, which after all he'd been through WAS ALL HE EVER WANTED.
If someone were to ask me, what is your favorite thing about Harry Potter?, I would hands down reply: Harry Potter's moral integrity, that is the heart of the series. It's his choosing to sacrifice himself for what is good. It's choosing friendship over suspicion. It's a defiant effort to turn towards the pain of loving and losing, then choosing not to love at all. It's choosing to do what right, and best for others even when it hurts, is inconvenient, or scary. It's fighting for truth and justice, even when you're the only one doing it. And when you move away from those central themes, the integrity of who we know Harry (and friends) to have PROVEN himself to be, you destroy Harry Potter and all that he stood for for 7 books. This new book is the worst kind of trash, the one that destroys the soul of our hero.
Also, what they did to calm, measured, quirky, wise Dumbledore, making him a weepy, rude mess, who spoke in cliches, issuing a completely unnecessary "apology" to why Harry was at the Dursleys, when Dumbledore had already apologized profusely for that in HP5 AND severely told off the Dursleys in HP6 for their abusive behavior! It was just phony emotional porn!
And Ron's a proper idiot who got drunk during his wedding?! He would have never disrespected Hermione like that. Hermione was neither clever, nor charming; she didn't come up with hardly any solutions. And what a weak, floppy mess Harry was during the fight scene?! His 16 year old self could have fought better. It's like they sucked the soul out of the books, like a dementor wrote it!! This is not even pointing out the horrible plot holes! No, I refuse this book is real. It's a bloody mess!
176 of 190 people found the following review helpful.
HP's 'Phantom Menace'. Thoroughly heartbroken and beyond disappointed... Read with Caution!
By Amazon Customer
First and foremost, I was well aware that this was a play, not a novel; but even by those standards this is a disgrace. If it was possible I would give 0 stars. I am horrifically obsessed with these books, for the past 19 years (tattoos, pet names, my adult apartment covered in maps and memorabilia - you get the point). Every Christmas and July 31st I have my own HP marathon - movies, and books, respectively. After re-reading the entire series just a day before reading this I was almost in a HP PTSD shock. I have read awful, poorly written, fanfiction that was lightyears better than this tragedy of a story (even calling it that seems overly kind).
The characters you love and adore to abhore are completely missing - just their names remain, and tiny fragments of what seems to be a stolen history of their lives. I sighed, scowled, and groaned mercilessly while reading, and eventually completely gave up trying to understand even a semblance of what was going on in this story.This is NOT cannon, nor something I can physically or mentally endure sitting on my bookshelves next to what was the light of my childhood (and early adulthood if I'm honest). I will rightly say that I had a massive nerd freak-out, and actually tore the book to pieces to prevent myself from re-reading it, as I knew I would as a sadistic form of torture - and it was cathartic as hell.
If you only watched the movies, you may be able to endure this story; but the Potterheads who live and die for these books are just testing their patience, never-questioning love of all things HP, and the sainthood of Rowling by reading this story. (I am aware it is not her writing, and that with the play coming out she was in bind to publish, but that does not excuse this abortion of a story. Even as a play the plot alone is only a modicum of what anyone truly in love with these characters and world would be expecting.)
**SPOILER WARNING**
So many issues: the timeturner now apparently having the ability to go back decades, and create butterfly effect implications; Hermione's visage as a cold, cruel, DADA professor; Harry's Hermione-like myopic focus on his work, above his family; Ron - as a whole; too many others to list without losing my cool once again.
After waiting 9 years for another story, this is truly heartbreaking, and worthy of tears!
**And yes, that's my cat, Albus, looking on approvingly of the tattered remains of my sanity that night.
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