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Basic Principles of Classical Ballet, by Agrippina Vaganova
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Although the stars of Russian ballet Anna Pavlova and Tamara Karsavina possessed a national manner of dancing, there was no truly Russian school of dancing until the 1930s. The development of this school was largely due to Mme. Vaganova (1879–1951), not only a great dancer but also the teacher of Galina Ulanova and many others and an unsurpassed theoretician.
The principles of Vaganova's system are presented in this well-known book. Mme. Vaganova's aim of creating a personal approach to the Russian dance was based on the critical assimilation of the experience of her contemporaries. Her ability to choose the best of what had been accomplished in the various ballet traditions (French, Italian, and Russian) and combine these into a unified teaching practice in itself amounted to a new school of dance. She firmly believed that the teaching process should be a planned exercise, ever changing with innovations in the dance. She sought from her pupils emotional expressiveness, strictness of form, a resolute, energetic manner of performance, and the understanding of the underlying coordination of movements.
Her book discusses all basic principles of ballet, grouping movements by fundamental types. Chapters cover battements, rotary movements of the legs, the arms, poses of the classical dance, connecting and auxiliary movements, jumps, beats, point work, and turns as well as material for a sample lesson. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. The result is a fundamental theory of dance that offers dancers, teachers, and ballet lovers information often difficult to locate in other books.
118 illustrations.
- Sales Rank: #40798 in Books
- Published on: 1969-06-01
- Released on: 1969-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.38" h x .43" w x 5.33" l, .48 pounds
- Binding: Paperback
- 192 pages
Language Notes
Text: English, Russian (translation)
Most helpful customer reviews
0 of 0 people found the following review helpful.
giving good insight into the Russian Classical Ballet school
By Letty K.
Classic of classical ballet. A small book, old-fashioned little drawings, but all is explained. I had this one growing up, and now got it for my daughter. It contains everything from basics to more complicated positions, so one uses it differently as one advances through the art.
In any case also an item of general ballet culture, giving good insight into the Russian Classical Ballet school.
0 of 0 people found the following review helpful.
I like having this book
By Adelia Chambers
I like having this book. It is great for an adult getting back into ballet, so I am not lost in class.
11 of 11 people found the following review helpful.
Great when combined with other resources
By KLennon
Because my own dance education was rather inconsistent (spent time under teachers who each used Cecchetti, Vaganova, Balanchine, and Neumeier methods), i ordered this book to help me once i myself began to teach. After reading it, i will forever be a Vaganova fan. Her method is, well, methodical. Very detailed, well-thought out and well-planned. It's easy to see why she was so successful. My first struggle was that some of the names of steps she uses are now archaic, so i had to do some research to figure out what she was talking about! I also found this book more helpful when combined with another book, called The Perfect Pointe System, which was developed by a dance physiotherapist in Australia named Lisa Howell. Vaganova's way of teaching artistry is excellent, but i found it necessary to incorporate more modern/scientific ideas about how to use the muscles safely and effectively, which is where Lisa Howell's book came in. I also bought this book together with 100 Lessons in Classical Ballet, which showed how to fit Vaganova's thoughts into an actual lesson. Put together, i definitely learned more from reading these three books than from all my years of "dance education" combined!
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