Free PDF BodyWorld (Pantheon Graphic Novels), by Dash Shaw
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BodyWorld (Pantheon Graphic Novels), by Dash Shaw
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From the astonishing imagination of Dash Shaw, visionary author of Bottomless Belly Button, comes a darkly fantastical graphic novel about a small town, a lowlife botanist, and a mysterious plant with strange powers.
It’s 2060, and a devastating civil war has left the country in shambles. Professor Paulie Panther–botanist, writer, and hopeless romantic–arrives in the experimental forest town of Boney Borough to research a strange plant growing behind the high school. As he conducts his research, he befriends some of the local residents: Miss Jem, the alluring science teacher; Billy Borg, Boney Borough’s star athlete; and Pearl Peach, the rebellious schoolgirl. Paulie soon discovers that the plant, when smoked, imparts telepathic powers. But when he shares this remarkable drug with his new friends, he finds that they’re not interested in mind-expansion. In fact, it appears that Paulie’s brash individualism might not be at all welcome in a town that prefers conformity to eccentricity.
Nominated for a 2009 Eisner Award and with a bold, innovative design, BodyWorld is a mind-blowing blend of science-fiction, classic high school drama, and futuristic what-if. It is at once funny and fearless–and sure to be the graphic novel event of the year.
- Sales Rank: #310164 in Books
- Published on: 2010-04-13
- Released on: 2010-04-13
- Original language: English
- Number of items: 1
- Dimensions: 6.29" h x 1.28" w x 9.65" l, 2.40 pounds
- Binding: Hardcover
- 384 pages
Amazon.com Review
Questions for Dash Shaw on Bodyworld
Q: Bodyworld is about people who smoke a mysterious plant and can then read and feel each others’ thoughts. Where did you dream up that concept? Was there one event in particular that inspired it?
A: When I was in college I was really into figure drawing, and kept being involved in it after I graduated. When you’re drawing someone, part of it is imagining what it’s like to be inside of the person. You imagine yourself in their body, or look for a psychology in the kinds of poses they make or their face. I was also thinking about how to express how people think in comics, in ways outside of the normal thought balloons (which are just words). If you’re doing a book about telepathy, you’re really doing a book about how people think, and what it’s like to be inside of another person. So of course that leads to a strange, confusing, and funny, often goofy, story.
Q: Which character from Bodyworld was your favorite to dream up? Are any of them based on people in your life?
A: The main character, Paulie Panther, was the most fun for me. I think that shows on the page, especially during his interactions with some of the other characters, like Billy Borg. I can’t say that anyone was based on a specific, real person. The characters in Bodyworld are very stylized, cartoony, and unrealistic. I think they come more from my sense of humor than anything else.
Q: Which step (pencils, colors, etc.) is your favorite part of the drawing process?
A: For Bodyworld, it was the colors. I had done a lot of color comics before Bodyworld, but they were printed in grays because I didn’t know what I was doing. Color really freed me up. It was very playful. I work more unself-consciously in color, probably because for many years I was only interested in line drawing and black-and-white comics. It started to feel like my drawings were just an amalgamation of other people’s drawings, how someone else drew a hand or tree, but I didn’t have that baggage with color. The colors then helped my drawing, too. It’s hard to separate the different steps in Bodyworld, since all of the stages were integrated. It wasn’t like I did all of the drawings and then colored it. A lot of the pages moved back and forth between the drawing and the coloring stages. Because I don’t work inside of a system where I have to submit pencils, or ink a drawing and then color it--since I do everything--it allows me not to separate the stages in my mind.
Q: When did you know that cartooning was something you wanted to do full-time?
A: I always wanted to be a cartoonist, and have been doing comics all of my life. I’ve had a lot of friends who wanted to be cartoonists in high school and then stopped in college, and others who stopped after college. A lot of super-talented people stop. It’s a tragedy. I don’t know why I haven’t quit, but I think it’s because I enjoy it so much, while to others the cartooning process seems to be painful. It’s still fun for me. Comics aren’t something that you should want to procrastinate from doing, and they’re more fun to make than they are to read. It’s like a noncompetitive nonspectator sport. You have to keep at it; otherwise you get out of practice.
Q: David Mazzucchelli has called you "the future of comics." Where do you see comics heading in the future?
A: Right now in bookstores, all of the comics are grouped together: the reprints are right next to the contemporary comics, next to Marvel and DC, next to a nonfiction comic, etc. It’s as if you went into the book store and everything, all of it, was organized alphabetically. So I think what’ll happen in comics is that it’ll become more like other books, in that a Web cartoonist doesn’t necessarily read print comics, in the same way that some romance author doesn’t necessarily read the latest science fiction works. That’s already happening. But that’s unusual in comics. It’s usually been a small community. But, at the same time, I think there will be people who are viewing everything as a whole. So someone will like Robert Crumb, Otto Soglow, and Suehiro Maruo and then make comics that they’d want to read. Everything will move farther apart and also come closer together at the same time.
Q: What are your favorite graphic novels/comics? If you could name five comics that should be required reading, which would they be?
A: Answering that is too much pressure for me. I’m just going to suggest five comics that I read sort of recently, or are fresh on my mind, that I can recommend:
Black Blizzard by Tatsumi
The Clover Omnibus by CLAMP
Color stories by Guido Crepax in Heavy Metal
The recent Art in Time collection, edited by Dan Nadel, especially the Kona comic reprinted in there
New comics by Yuichi Yokoyama
From Publishers Weekly
Starred Review. A fantastic follow-up to Shaw's widely praised first full-length graphic novel, 2008's Bottomless Bellybutton, Body World treads very different territory. Boney Borough is a pastoral planned community in a dystopic future, where everyone knows each other's names and young romance blossoms at the high school die-ball games. But like all idyllic suburban communities, Boney Borough has a drug problem, and a newcomer, tweaked-out drug researcher Paulie Panther, takes advantage of it. Panther discovers a new kind of plant in the woods outside town, that, when smoked, allows people to telepathically experience one another's bodies and minds. Introduced to the local youth, the drug wreaks havoc with Boney Borough in some very unusual ways. First published as a serial comic on the author's Web site, the print version has added scenes, with gorgeous full-color pages to be read from top to bottom, as if you were scrolling through the story from beginning to end. This is key for the climactic scene, which unfurls in one extended panel. Shaw's willingness to experiment with his drawing style pays off particularly in pages portraying the effects of the drug with abstract blurring and melding of images. Another brilliant work that is sure to attract loads of attention and praise this year. (Apr.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Shaw changes genre and tone from the not unplayful but serious realism of The Mother’s Mouth (2006) and Bottomless Belly Button (2008), folding sf and high-school romance into a grunge-noir continuum sprung from the ancient trope of the stranger coming to town. The burg in question is rigorously plotted (in a perfect square) Boney Borough, and the newcomer is Professor sic Paulie Panther, an experiential drug researcher (i.e., for all practical purposes, a professional addict). He comes to inspect a mysterious two-lobed plant growing on the local high-school campus and, as things unfold, to get involved (well, almost) with curvaceous teacher Jem Jewel and later with new grad Pearl Peach, whose athletic swain, Billy-Bob Borg, is already dismayed at her dumping him. If all those alliterative names don’t immediately give it away, the first few pages clarify that this is a black comedy on the lines of 1980s cult film Repo Man, which it most directly resembles in its space-alien conspiracy (the plant’s a Trojan horse) that never physically breaches the plot’s surface (the aliens never appear). Deploying color seemingly pasted-in � la hip 1950s advertising and UPA cartoons (especially impressive in scenes distorted by the plant’s mind-and-body-melding effects) to his trademark art-brut-meets-computer-animation drawing style (his protagonist’s name is probably a tip of the hat to stylistic forebear Gary Panter), Shaw shows himself as adept at dire comedy as he is with midlife and family crises. --Ray Olson
Most helpful customer reviews
5 of 5 people found the following review helpful.
Surprisingly Thought Provoking !
By King of Rock
I picked this up on a lark, sight unseen, knowing only one short piece of one of the author's previous works. Starting off as what seems like a punk-hipster world view of the future, full of sarcasm and commercialism critique, ends up being a sci-fi mindtrip with inventive presentation through the medium of comics. I was quite surprised by the concept as I got deeper into the story. A lot to think about after you finish! I did not care for the ending, there were deeper areas for exploration left undeveloped. However, what started out frivilous ended up being a book with real value and, perhaps consciousness expansion. Well worth your time.
BodyWorld
1 of 1 people found the following review helpful.
Strange Interesting Book
By Blake Sims
I had previously read the first few chapters of Bodyworld online, but after hearing about the print edition I decided to wait for the rest. I'm glad I did, the book is gorgeous. The vertical binding is a nice touch, imitating the reading scroll from the online version. The colors pop off the page and the fold out maps are a really cool feature. Check this out if you liked the Unclothed Man or Bottomless Belly Button.
3 of 4 people found the following review helpful.
weirdness, mind blowing drugsstranhe pictures
By Evzenie Reitmayerova
lots of weird drugs and surreal drama.
strange drawing style. if you liked Asterios Polyp this one is as much strange as that one.
you can see this free on authors pages but then you will decide to buy it anyway like me.
Mazzucchelli even described it as "future of comics".... and he was right.
totally mind blowing. HIGHLY RECOMMENDED.
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